May 31, 2019
Podcasts for Classic Film Fans: May Round-up
It’s been another great month in podcasting. There’s an excellent array of special guests in my May roundup. Episode titles link to the show discussed:
Leonard and Jessie Maltin
Leonard and Jessie Maltin discuss the origins of the Maltin family business and the inaugural Maltin Film Fest in a fascinating conversation with host Alicia Malone.
I Blame Dennis Hopper
Illeana Douglas talks with Karina Longworth about her podcast You Must Remember This and her book Seduction: Sex, Lies and Stardom in Howard Hughes's Hollywood. I loved hearing Longworth talk about why she chose the subjects of some of her best episodes and how she approaches her research.
World War II Dracula
I enjoyed listening to my first episode of this podcast that explores classic horror films. Here hosts Ben Rowe and Sarah Rowe discuss have a wide-ranging discussion about the Bela Lugosi flick The Return of the Vampire (1943), a movie that was totally new to me. I love how well informed and thoughtfully analytical these two are. I’m looking forward to catching up on old episodes.
Classic Movie Musts
Meet John Doe (1941) with Victoria Riskin
Host Max Baril talks with Victoria Riskin about the dual biography (reviewed here) she wrote about her parents Robert Riskin and Fay Wray and the Riskin-scripted Capra film Meet John Doe. An industry veteran herself (she's a television writer and producer), Riskin had lots of stories to share about her childhood and perceptive insight into the business of making movies.
2019 TCM Film Festival, Adina Hoffman on Ben Hecht
Nitrate Diva Nora Fiore shares her experiences at the TCM Classic Film Festival before host Mike Gebert talks Ben Hecht with the screenwriter’s biographer Adina Hoffman, whose lively book Ben Hecht: Fighting Words, Moving Pictures I reviewed here.
Maltin on Movies
Film historian Kevin Brownlow has such a rich, varied history that he’d be an interesting interview with anyone, but he’s especially fascinating here with Leonard Maltin (and daughter Jessie), because both have such deep experience with cinema and preservation. Brownlow has spoken with so many film greats and he shares a lot of those stories as well.