Aug 10, 2017
Warner Archive Blu-ray: Where the Boys Are (1960)
The posters and trailer for the 1960 spring break romp Where The Boys Are are so relentlessly cheerful, that it's a bit disorienting to find that while there are certainly laughs in this beach bound flick, it also covers some dark territory. From the insensitive and entitled to the criminally violent, four college women learn that going where the boys are can be fun, but also perilous for body and soul.
Paul Prentiss, Dolores Hart, Connie Francis and Yvette Mimieux star as a quartet of restless college students, freezing through a snowy winter, ready to hit the road for Fort Lauderdale and sunny beaches. Almost right away the subject of sex comes up as Hart scandalizes her prim professor on the realities of relationships for her generation. She's all talk though and plenty hip to the things men will say to get her into bed.
Still, Hart is game for romance, as is the rest of her crew, only they expect to find husbands rather than erotic distraction for the length of their vacation. For all the freedom they grab from their school and parents to take their vacation, they all seem set on becoming as Prentiss says, "a walking, talking baby factory." For them, freedom has its limits and they want it that way.
None of the men they meet are on board with this philosophy though, and many of them are too horny to wait for the sexual revolution. For some of the girls, that simply means a few long nights of negotiation. For one, misunderstanding what men really want steals her innocence in a heartbreakingly brutal way. This side of sexuality had not been explored so thoroughly in the movies, and especially teen beach flicks. Some of it still disturbs today.
This darkness has a flip side and much of the film's effervescence comes from its leading ladies, all of them at the beginning of their careers. Yvette Mimieux would also appear in Time Machine that year, and here as in that film, she is devastating to watch because she is so vulnerable. Of the four, she is the one who most indelibly captures the dangerous naivety that can lead to taking too seriously the first intoxicating rush of adult life and romantic attention. In her first film, Prentiss becomes a star right away, making her gangly limbs and blunt delivery into something both refreshing and oddly glamorous.
At the top of her singing career, Francis had to be talked into giving acting a try. Having some control over the songs she sang helped to convince her. Of course the title song would end up becoming her most famous. Her character is the only one that doesn't ring true though. While she is beautiful and charming, you are expected to believe she has trouble with men because she is too butch, something which only becomes clear when she sighs that she should quit the field hockey team.
While this trio beams with charisma, it is mellow, magnetic Dolores Hart who steals the show. Only three years away from ditching Hollywood to become a nun, she makes you yearn for more. Here is an actress who would have been especially fascinating as she aged, because no matter what dippy dialogue she was handed, she always managed to give it all a feeling of greater depth. Perhaps it is best to be grateful she made anything at all though; you can't fault her for finding her calling and escaping brutal Hollywood for a life of devotion.
For all its dramatic changes in tone, Where the Boys Are works, because the whole point of it is that it is chaotic. That the insanity and darkness on display are not even close to the debauchery of a modern day spring in Fort Lauderdale is both charming and a little sad. As much as these women are pushing the boundaries of romantic relationships, they and their men are still innocent in a way that is now lost.
The film is now available on Blu-ray from Warner Archive on a disc that includes a trailer, a clip of the film's Fort Lauderdale premiere and a light-hearted featurette featuring interviews with Prentiss and Francis. There is also charming and upbeat commentary featuring Prentiss, who is a great storyteller because she's got a fantastic memory and doesn't take herself too seriously.
Many thanks to Warner Archive for providing a copy of the film for review. To order, visit The Warner Archive Collection.