Classic Links


I like this interview with Glenda Farrell's biographer. Lots of interesting tidbits--Immortal Ephemera

Check out this photo of 16-year-old Leonard Maltin! I almost didn't recognize him at first, but he definitely still has the same smile--Movie Crazy

This is an interesting post about the long suffering "fifth Marx Brother" Margaret Dumont, including a dishy photo from when she was young. Also, Stacia from She Blogged By Night is cited!--Mental Floss

Open Culture has linked to 700 movies available for free online, and some of them look really interesting. This isn't your typical list of public domain flicks--Open Culture

Warner Archive: Joan Blondell and James Cagney Debut in Sinners' Holiday (1930)


There are many early films that I'll watch to check out a star in their debut or breakout film role. That was the case with the new Warner Archive release of Sinners' Holiday (1930). It features the one-two punch of Joan Blondell and James Cagney in their first screen appearances. I'll admit I didn't have high expectations for the movie, but it's an entertaining hour (to the minute), and the mesmerizing stage and screen actress Lucille LaVerne is one reason why.

It's based on the Broadway play Penny Arcade, which opened around the dawn of the Great Depression and quickly tanked. Al Jolson snapped up the rights, and insisted that Blondell and Cagney reprise their stage roles in the film version.

The story revolves around a penny arcade operated by the close-knit Delano family on a Coney Island amusement pier. There the tough-as-nails Ma Delano (LaVerne) presides over the business while her children, Myrtle (Evalyn Knapp), Joe (Ray Gallagher) and Harry (James Cagney) find themselves in varying degrees of drama.

As Myrtle's boyfriend Angel, Grant Withers is the nominal star, and he is adorable, but next to Blondell and Cagney he gives the impression of a goldfish flopping around on a table. You want things to turn out for him, but don't particularly care to see how it all pans out. Knapp is similarly pleasant, and even quite effective in her more dramatic scenes, but she had some powerful co-stars to play against.

Though they are billed fourth and fifth respectively, Cagney and Blondell both clearly have the charisma of stars, and it is exciting to see them so confident in their prospective styles from the beginning.

A young Lucille LaVerne
Cagney already possesses the dancing fingers and graceful, but jittery moves that would give his best performances that intoxicating crackle. He goes a bit over the top in some dramatic moments, but isn't too cringe worthy. Blondell gives the impression she has nothing to learn though. In a short brown hairdo that looks like a little furry cap, she already knows how to pop those big, round Joan eyes and race through her lines with perfect comic momentum and bubbly warmth.

As the Delano family matron, Lucille LaVerne was a pleasant surprise. She's got a marvelous face, with a pointy nose and chin and dark slashes of eyebrow. This is the kind of actress that I miss in modern films: a tough, wise, complex matron who is comfortable in her own skin. Most famous for voicing the queen/witch in Disney's Snow White and the Seven Dwarfs (1937), you can see why she would later be chosen to fill that commanding role. I perked up every time she appeared.

The plot is a busy tangle of romance, crime and murder that would become tiresome if the film ran any longer. As it is, it's an entertaining bit of life among the carneys. I enjoyed it, and look forward to watching it again.

Many thanks to Warner Archive for providing a copy of the film for review. This is a Manufacture on Demand (MOD) DVD. To order, visit The Warner Archive Collection.

10 New to Me Classic Movies in 2015

It took me nearly a month of the new year to decide, but I have finally selected the ten "new to me" movies that I plan to watch this year. This list is inspired by Ms. Laura of Laura's Miscellaneous Musings, who has been enjoying make annual "to watch" lists for years. I couldn't link to her January 6 post with her list for 2015, but it's worth searching out, because in addition to her own list, she has linked to lists from other bloggers inspired by her example.

On to my list!


Never Let Me Go (1953)

I searched this out because I'm watching all of the skating star Belita's films, but I'm also intrigued by the idea of Gene Tierney and Clark Gable together. 



The Life of Jimmy Dolan (1933)

This is one of those flicks that I keep passing on, but I've got to get to it, because I'm all about pre-codes and this one has an amazing cast.


The Steel Trap (1952)

Years ago, I set out to watch all of Teresa Wright's films. I was sidetracked before I got to this one. It'll be interesting to see her opposite Joseph Cotten in such a dramatically different scenario.

The Unsuspected (1947)

I saw this on one of the film suggestion lists at Rupert Pupkin Speaks. I always get amazing viewing ideas from the contributors to that site. I'd never heard of this title before that, and I find the idea of Claude Rains and Audrey Totter in the same movie irresistible.


The Killer is Loose (1956)

Rhonda Fleming was my big personal discovery of 2014. I'd always enjoyed her in lighter fare, but seeing her for the first time in several crime/noir films last year was fantastic, so this seemed like a good next step. I'm a big fan.


Allotment Wives (1945)

For the most part I've steered clear of Kay Francis' post-code films, she never seemed the same once those restrictions were more firmly in place, but I really enjoyed Play Girl (1941) last year, and I think it's time I give her later work another chance.

The Learning Tree (1969)

This is an unfortunate oversight on my part. I'm a huge fan of Gordon Parks and I'm really looking forward to this one.



Wicked Woman (1953)

With a title like that...



The Mask (1961)

Years ago, I bought this book from the only cool store in the tiny town where I went to college:


The cover photo, which is from The Mask, blew my mind. I'd never seen such a bizarre thing in a film before. It inspired me to search out more unusual flicks, in addition to the classics I adored, but I somehow never saw this actual film. So this year I will.



The Golden Bat (1966)

An early superhero movie, before they got so serious. This is another recommendation from Rupert Pupkin Speaks.






Quote of the Week

Image Source

I love to take actors to a place where they open a vein. That's the job. The key is that I make it safe for them to open a vein.

-Mike Nichols

Quote Source

Classic Links


There's a lot more to the history of popcorn in movie theaters than I realized. Very interesting post--
Mental Floss


Overstock.com is going to offer a streaming service? When things The Onion predicts happen in real life, we're all in trouble! I'm very curious to see what they might have to offer classic movie fans. I'm guessing not much, but I've found some good things on Amazon Prime, so who knows? (I love the commenter who suggested Etsy start their own service with "homemade" versions of movies)--/Film

This book about the very early days of Technicolor (1915-1935) sounds fascinating. It's amazing to think that there were even color silents!--The Black Maria

We didn't need an academic study to know The Wizard of Oz (1939) is the most influential Hollywood film, but it's amusing that someone made the effort to find out for sure--The Guardian

I've been curious about classic Mexican movies for a long time, and really enjoyed this review of Las Abanonadas (1945), starring Dolores Del Rio and Pedro Armendariz, who both made Hollywood films as well--Once Upon a Screen

There are all sorts of ways the 50th anniversary of The Sound of Music (1965) will be celebrated, including that it will be the opening night film at TCM Classic Film Festival, with special guests Julie Andrews and Christopher Plummer--The Dissolve

And as was mentioned in the article above, a restored version of the film will show in theaters nationwide on April 19 and 22--Variety

Quotes of the Week


She had the beauty of a young goddess. The luminous color of her skin, her clear ice-blue eyes, golden hair and exuberance, joie de vivre made her into a grandiose creature, extraterrestrial and at the same time moving and irresistible.

-Federico Fellini, About Anita Ekberg

***

She reminded me of a German soldier of the Wehrmacht who in a round-up asked me into a truck.

-Marcello Mastroianni, Also about Anita Ekberg


Quote Source

Classic Links

Image Source

RIP Anita Ekberg. For me it was never about her acting, but her public persona as a woman with a passionate zest for life. Her famous fountain scene in La Dolce Vita (1960) is so effective because it is not about skill, but the force of her personality. That said, I thought she pulled off a great, offbeat performance in The Alphabet Murders (1965). She could add a jolt to a film just by being there.

Read about her eventful life in this Obituary from the Guardian

Another passing: producer Samuel Goldwyn Jr.

Though I had to do a lot of guessing, I had fun taking this silent film quiz, because I learned so many interesting tidbits--Movies Silently

I'm curious to see what David Fincher, Gillian Flynn and Ben Affleck will do with their remake of Strangers on a Train. I love that movie, but I don't feel like it's untouchable. A new version could be interesting--/Film

Roman Polanski faces extradition again. I wished he'd just turn himself in and finish this thing--
The Guardian


I've got a new article up at ClassicFlix about pre-codes featuring ladies in exotic exile. This one was a lot of fun to write, so check it out!

Lots of fun classic movie events and blogathons coming up, including:

The return of March Madness at A Mythical Monkey Writes About the Movies/All Good Things


The Favorite TV Show Blogathon at A Shroud of Thoughts


The third annual 31 Days of Oscar Blogathon co-hosted by Outspoken and Freckled/ Paula’s Cinema 
Club/ Once Upon a Screen


and the Pre-Code Blogathon, co-hosted by Shadows and Satin and Pre-code.com


Quote of the Week

Image Source
When you lose your curiosity, you’re dead. There is so much in the world that one should know, or it would be marvelous to know. And I know nothing. Nothing! My God, one’s life-span is so very short.

-Luise Rainer

Quote Source



Classic Links


Even though I had no idea if it was even a possibility, I always hoped I'd get the chance to see Rod Taylor at the TCM Classic Film Festival some day. I was sad to hear he passed on Wednesday, days away from his 85th birthday.

He's my all-time actor crush, muscular and masculine, but always courtly with the ladies. I so loved to watch him bat those long eyelashes whenever he flirted. He was hugely underrated as an actor, it's amazing how well he could do any genre, but he was always beloved.

My Taylor favorites: Dark of the Sun (1968), Sunday in New York (1963), Time Machine (1960), Hotel (1967) and Do Not Disturb (1965), though honestly, I'd watch him in anything. RIP.

If you're looking to watch some Taylor films in tribute, here are some more great titles--
LA Times

Love this gallery of Taylor shots, especially the photos from his later years. He was such a foxy grandpa--Newzcard

This article has some nice quotes from the actor's daughter Felicia, but they sure picked some weird films to highlight in the sidebar--The Daily Telegraph

Also be sure to check out this fantastic Rod Taylor site. Very interesting stories about his life here. I especially love the piece about his relationship with the love of his life Carol Kikumura--
The Complete Rod Taylor Site



***

Actor Patrick Kennedy was 33 when he met Luise Rainier. She was 99. His story about their friendship is very sweet and reveals a lot about the actress--The Guardian

I've been very curious about Russ and Roger Go Beyond, the biopic in production which will follow Russ Meyer and Roger Ebert as the director and screenwriter make Beyond the Valley of the Dolls. Will Ferrell has long been attached to play Meyer, now it looks like Josh Gad will play Ebert. I only know Gad as the friendly snowman Olaf from Frozen (2014), but he seems to have the right look to play the film critic in his early years--/Film

Director Mike Leigh has some interesting things to say about digital vs. 35mm format. I still don't see why there can't be multiple formats for film. Especially if there is a market for both, and even if one is more economically robust than the other--The Dissolve

If you're a big Ann Dvorak fan, her biographer Christina Rice is offering some of the actresses' personal photos for sale. They're a decent deal at $10 a piece--Ann Dvorak: Hollywood's Forgotten Rebel

Warner Archive: Bing Crosby Croons in Just for You (1952) and Here Comes the Groom (1951)


I was delighted when Warner Archive announced that it would be reissuing its duo-pack of Bing Crosby/Jane Wyman musicals. The first time I checked out Just For You and Here Comes the Groom, I was researching for an interview with Robert Arthur, one of the juvenile actors in the former, for a profile in the magazine Films of the Golden Age. Arthur had some fun things to say about the film, which like Groom, is a lovely way to pass some time, with solid, if for the most part not memorable tunes.

You run into plenty of mischievous characters in classic Hollywood films. Heck, Lee Tracy made a career out of rubbing people the wrong way. Usually I am accepting of, and maybe even amused by these troublemakers, who are only that way to give the leading lady something to work against. 

For some reason though, I don't tend to have much of a sense of humor about the Bing Crosby persona. He strikes me as a jerk, a bit a of a bully too, and not an amusing one. His charisma is potent though. He has a way making everything seem like a lark, something he just tossed together, even things that would require great effort from most men. He disarms you just enough with that loosy goosy, bumping along charm, even when he's being an ass.

In Here Comes the Groom, Crosby is a journalist who has come back from his World War II European post with a pair of orphans. He's been a dog to his girlfriend (Wyman) and she is preparing to marry an obscenely wealthy man (Tone) after waiting for far too long for a proposal. Crosby needs her to marry him though, and who knows if he really loves her that much, but he can't adopt his young charges without her. So he harasses her, and her fiancée, until he bends her to his will.

Crosby's pairings with Wyman are pleasant enough, but totally devoid of sex. When they're getting along, they seem like buddies who enjoy breaking into song together. When they're at odds, only Wyman seems like she's fighting off passion.

The best non-musical scenes in the movie are between Crosby and Tone, who have fantastic chemistry. I don't think this has anything to do with the leading lady either. Der Bingle just tended to be a lot better onscreen with other men.

For the most part it's an enjoyable film though. Crosby and Wyman perform the Oscar-winning In the Cool, Cool, Cool of the Evening with such wholesome verve that you forgive them for the other, more lackluster tunes. Franchot Tone is amusingly sly and Alexis Smith shows off some very silly physical humor in a rare comic role as Tone's distant, and smitten, cousin.

Just for You is my favorite of the two films. The songs are a bit more fun and Crosby and Wyman are supported by the extremely likeable Natalie Wood as his teenage daughter and Ethel Barrymore as the head mistress of an exclusive school for girls. It doesn't seem like Wood ever had an awkward age and Barrymore could say totally vile things with that smooth voice and be loveable, but she gets some good quips and has an amusing rapport with Crosby. It may be one of the best interactions he's had with an actress onscreen.

I'm sure I'm being a bit biased due to my conversations with Robert Arthur, but I am especially fond of him in this film, where he plays Crosby's son. It's a shame he was not given many substantial roles, because he had a sensitivity and a way of really seeming to listen to other actors that gave his screen presence a great warmth. He reminds me a bit of Teresa Wright in that regard.

In the film, Crosby is a successful Broadway producer and Wyman is his star. This time around there's not much romantic turmoil between the leads, as most of the drama revolves around his troubled relationship with his kids. There's a smattering of musical numbers, all of which feel spontaneous to the point of seeming entirely unrehearsed, and one in particular where Crosby attempts to show a leading man how he wants a number performed while appearing perfectly polished and completely nonchalant at the same time. There's also some lively lakeside footage that opens up the movie and gives it a bit of air.

During our interview, Arthur told me that he was originally meant to sing the swoonily romantic title tune, which in the story is the first triumph of his aspiring songwriter character. Crosby knew the song was a showstopper though, and with good humor he told the young actor that he couldn't have it. It's a shame, because Arthur did have a pleasing voice, but it was also an understandable move by a star who clearly wasn't going to let a younger actor to steal his film.

I also loved Arthur's story about his encounter with Barrymore. Apparently he was studying his lines at the lakeside location when he heard her distinctive voice behind him, offering to go over his part with him. Of course he accepted with delight.

This is a good double feature for Crosby completists and devoted musical lovers and will likely hold some appeal for most other classic movie fans.

Many thanks to Warner Archive for providing a copies of the films for review. This is a Manufacture on Demand (MOD) DVD. To order, visit The Warner Archive Collection.

Quote of the Week

Image Source

My main influence was dramatic radio when I was a kid. I remember listening to it in the dark. Everything was left to the imagination. It was just sound. I think of the sounds first and then the images.

-William Friedkin

Quote Source

Classic Links


Happy New Year to you all! Welcome to the first Classic Links of 2015.

Upon Luise Rainier's passing just before the end of 2014, I found some interesting links as I reflected on this amazing woman:

Rainier is charming and clever in this 2009 interview, not long before her 100th birthday--The Telegraph

I love this photo of Albert Einstein and Rainer. Makes me wonder what happened between them. I know Clifford Odets, her husband at the time, was jealous of him--Jir Rezac, Photographer

A small collection of clips from Rainier's career and a short assessment of her time in Hollywood--
The Guardian
***
The Criterion Collection has released its annual wacky drawing which hints at releases in the year to come. I can't figure out any of it, I usually can't, but the writer/commenters here seem to have some good ideas--The Criterion Cast

Did you know that there's an entire website dedicated to Wizard of Oz costumes? They have accessories too. You can buy a scary tree outfit, dress like a "macho" lion or even dress up as the yellow brick road. And anyone can wear these costumes; they have categories for kids, plus size, pets, even "sexy" ladies. They don't have a sexy scary tree outfit, yet--
Wizard of Oz Costumes

Not good if you're planning to get falling down drunk

Doesn't this look like a character from an unmade 80s horror flick?

Related Posts with Thumbnails